EQUIPMENT

 
 

Behind every great live recording are experienced ears and fine-tuned equipment. The Hanger Hill rig is based around the world's quietest preamplifiers and a carefully chosen selection of the finest microphones - the same as those found in the UK's top recording studios - to ensure the greatest level of transparency between musician and listener, blended with the colours that have come to be signature in British recording.

We also specialise in discreet miniature microphone assemblies, utilising our own bespoke metalwork and aerial-suspended fixing rigs, offering low-profile, comprehensive music coverage for multi-camera classical arts programming.

 

  • AEA  R44CX (4), R88 (1)

    AKG C414B-ULS TL (2), C414-EB (2), C414-XLS (1), C451-EB (1), C426 (1), D12E (1)

    Beyerdynamic  M201N (2), M88N (3), M88TG (4)

    Brüel & Kjær / DPA  4006 (4), 4006A (4), 4011A (5), 4015A (2), 4055 (1), 4060 (2)

    Coles  4030L (2), 4038 (4)

    Neumann  KM84 (6), KM86 (2), KM130 (2), KM140 (6), KM143 (2), KM150 (2), KMS105 (2), SM69fet (1), M49V (2), M50V (3), TLM107 (2), TLM170 (6), U47fet (1), U67 (2), U87 (3)

    Sanken  CU-41 (2)

    Schoeps  MiniCMIT (2), MK2 (2), MK21 (6), MK22 (4), MK2H (4), MK2S (3), MK4 (8), MK41 (7), MK5 (4), MK6 (2)

    Sennheiser MD421 (4), MKH20 (2), MKH30 (2), MKH40 (2), MKH50 (2), MKH80 (2), MKH800 (2), MKH816 (2)

    Shure  Beta 91 (1), Beta 98 (6), SM57 (2), SM58 (4)

  • Merging Technologies HORUS Remote-Controlled Preamplifiers (32ch)

    AMS Neve 1081R Remote Preamplifiers (24ch)

    RME 12Mic-D Dante Remote Preamplifier (24ch)

    RME Micstasy MADI Remote Premaplifer (16ch)

    Modular Analog Microphone Preamplifiers from AMS Neve, Shadow Hills, A-Designs, etc.

    Appsys Multiverter with Sample Rate Conversion for Dante/MADI Split

  • Pyramix 15 Native (96ch I/O) up to 96kHz

    Pro Tools 2026 Studio (64ch I/O) up to 96kHz

    Boom Recorder Pro (192ch I/O) up to 96kHz

    Dual Redundant RME Madiface XTs with Merging Technologies AD/DA conversion

    Digico S21 (MADI-enabled) up to 96kHz with Automatic Microphone Mixing

    Avid Control Surfaces

    Bricasti M7 Reverbs

    Sony DRE-S777 Reverb

    Universal Audio UAD Live & Edit Systems

    Jünger Dynamics Processors

    Neve 5060 Summing Mixer

    Various Analog Bus EQ and Compressors from GML, Manley, EMI etc.

    Cedar DNS-2 Realtime Noise Reduction

    Celemony Melodyne - Pitch Correction

    Antares Autotune - Live Pitch Correction

    Zynaptiq ZTX - Time and Pitch Processing

    iZotope RX - Noise Removal

    Algorithmix ReNOVAtor - Noise Removal

    Myriad - Batch Audio Conversion

  • Kii THREE Loudspeakers

    Kii SEVEN Loudspeakers

    Bowers & Wilkins Matrix 802 Loudspeakers

    KS Digital C5 Loudspeakers

    Grace Design M920 DAC

    RME ADI-2 DAC

    Sennheiser HD-600 Production Headphones

    Beyerdynamic DT100 / 102 + Sound Devices HX-3 Quartet Headphone System

    Ensemble Single-Sided Headphones (*at additional cost)

  • 4G Remote Connection for Rural / Off-Site Production

    Fibre Optic HD CCTV & HDMI Monitoring System

    Comprehensive Talkback and Red / Green Light Facilities

    High Quality Reamping / Playback / Foldback Facilities

    Extensive Bespoke Microphone Slinging and Discreet Fixing Rigs

    Decca Tree & Jecklin Stereo Recording Disc

    Scoring Stage Master Boom Stands

    Schoeps Active Tubes

    Military-Grade Quad + Duplex Fibre Optics (150+100m)

    RME MADI Router Redundancy

    Rupert Neve, Radial & BSS DI Boxes

    ARRI 2kW Studio Floor Lighting

    Timecode Facilities

    1TB Portable SSD Drives